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A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process. In Season One, writer and host David Armstrong traced the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance, and explored how musicals have always reflected and shaped our world -- especially in regard to race, gender, sexual orientation, and equality. In Season Two he will continue to highlight musicals, creators, and topics that didn’t fit into last season, and dig deeper into those in which there is much more to explore. In addition, David will investigate a number of new areas of interest that he, and frequent co-host Albert Evans have been researching during their hiatus. As always, Broadway Nation will be unique mix of music, history, opinion, analysis, and interviews with leading Broadway experts, artists, and insiders.
With author Trevor Boffone
With Gerard Alessandrini
with Andrew L. Erdman author of Beautiful: The Story of Julian Eltinge, America's Greatest Female Impersonator.
With author Jack Viertel
With special guest Robert W. Schneider host of the new podcast BROADWAY BOUND
With MAYA CANTU author of GREASEPAINT PURITAN: Boston to 42nd Street In The Queer Backstage Novels of Bradford Ropes
With author OLIVER SODEN
In this episode, host David Armstrong, along with special guest, Albert Evans, begin to tell the amazing story of how Immigrants, Jews, Queers, and African-Americans invented America's signature art form -- the Broadway Musical.
A conversation with Caseen Gaines, author of FOOTNOTES: The Black Artists Who Rewrote the Rules of the Great White Way
Host, Writer, Producer
David Armstrong is the producer writer and host of the popular podcast BROADWAY NATION, which was inspired by a course he teaches at the University of Washington School of Drama on the history of the Broadway Musical. During his 40 years career in the professional theater he has worked as a director, writer, producer, and choreographer on Broadway and at many leading theater companies across America. He is best known for his work at The 5th Avenue Theatre in Seattle where from 2000 to 2018 he served as the Producing Artistic Director and Executive Producer. During his tenure The 5th produced 19 new musicals, including nine that subsequently moved on to Broadway including the Tony Award winning “Best Musicals” HAIRSPRAY and MEMPHIS.